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| "Reflections" | |
| Devorah Sperber | |||||
| "Reflections" | |||||
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Area: Tren Urbano |
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| Biography | |||||
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SOLO EXHIBITIONS 2004 • McKenzie Fine Art, Chelsea, NY (April 22- May 28) Banal and Sublime, Morlan Gallery, Transylvania University, Lexington KY (Jan. 9- Mar 19) • Montclair Museum, Montclair, NJ (fall 2004) 2003 • Digitized Notions, Edwin A.Ulrich Museum of Art, Wichita State University, Wichita, KS (Oct. 9- Nov. 30) • Pixelated, Kohler Art Center, Sheboygan, WI (March- June) 2002 • Bikinis, Bandanas and a VW Bus, James Graham & Sons Gallery, New York, NY • Virtual Environment, Diverse Works, Houston, TX 2001 • Post Digital: 800 lbs. of Pixels, HEREArt Gallery, Soho, NY. 1998 • Humanity—A Living Installation, Ernest Rubenstein Gallery, New York City, NY. SELELCTED GROUP EXHIBITIONS 2003 • Formed Function, Kohler Art Center, Sheboygan, WI (February 15- May 30, 2003) catalogue • Art After the Age of Mechanical Reproduction, Apex Art, Eugenie Tsai, Curator, New York City (May 21-June 21, 2003) color brochure • Duality/Autonomy, two-person exhibition, Victoria H. Myhren Gallery, Denver University, Denver, CO (January 10-February 21, 2003) • Bits n Pieces, Beth Venn, Curator, DAC (DUMBO Arts Center) Brooklyn, NY (Feb 9- March 30, 2003) 2002 • The Nature of the Beast, Caren Golden Gallery, New York, NY (Dec. 4, 2002 - Jan 7, 2003) • Faster Than The Eye, Four-Person Exhibition, Renny Pritikin, Curator/Director, Yerba Buena Arts Center, San Francisco, CA • Accumulations, Islip Art Museum, East Islip, NY • Sense Data, Four-Person Exhibition, The Painted Bride, Philadelphia, PA • Text/Textile, Deutsche Banc, New York, NY (June- August 2002) • Building Supplies, Four-Person Exhibition, Spaces, Cleveland, OH 2001 • Alterations, Graham Gallery, New York, NY. • The Garden of Forking Paths Art/Science, Pacifico Gallery, New York, NY. • Summer Group Exhibition, Grounds for Sculpture, Hamilton, NJ 2000 • Minutiae, S.E.C.C.A., Southeaster Center for Contemporary Art, David Brown, Sen. Curator, Winston- Salem, NC. • Extraordinary Things, University of Bridgeport Gallery, Kaz McCue, Director, Bridgeport, CT. • ELEMENTS 2000, Snug Harbor Cultural Center, Staten Island, NY. • Utopia/Dystopia, outdoor installation show, Byrdcliffe Colony of the Arts, Woodstock, NY. • SnapShot, Contemporary Museum, Baltimore, Maryland. • Generations II: A Survey of Women Artists at the Millennium, Invitational A.I.R. Gallery, Soho, NY. • Byrdcliffe Bienniel/ Faculty Show, Kleinert/James Art Center, Woodstock, NY. • Time and Place, Kleinert James Gallery, Woodstock, NY. • Byrdcliffe Faculty Show, Kleinert James Gallery, Woodstock, NY. Selected bibliography • Innovative Arts Center Showcases Fiber, Fiberarts Magazine, review by Karen Searle, November 2003 • "Spinning art with spools of thread," The Wichita Eagle, review by Chris Shull, October 12, 2003 • “Rearview Mirror: Formed to Function?”,”Dialogue Magazine, review by Kevin Cole, May/June 2003 • “Itinerary: Devorah Sperber: Pixelated,” Sculpture Magazine, June 2003 • “Rearview Mirror: Forms to Functiion?” Dialogue Magazine, review by Kevin Cole, May/June 2003 • “Itinerary: Formed to Function?” Sculpture Magazine, April, 2003 • “February Picks,” NY Arts, by Christopher Chambers, February, 2003 • “Seeing not believing in Kohler exhibit,” Journal Sentinel, review by James Auer, Feb. 24, 2003 • “Formed to Function? The Sheboygan Press, review by Mary Ann Holley/ photo, Feb. 23, 2003 • “More is More: Repetition Adds Dimension to Patterns,” The New York Times, review by Helen Harrison, color photo, October 13, 2002 • “Seeing Things,” Feature/ Artist Project (18 pages), Art Journal, Essay by Patricia Phillips, Executive Editor, Winter Issue 2002-03 • “A Sprinking of Diamonds,” artnet.com Magazine, review by Charlie Finch, December 13, 2002 • “Artists Shine in Shared Show, Denver Post,” review by Kyle MacMillan, photo, February 10, 2003 • “High Tech Impact Comes Through Unplugged,” The Rocky Mountain News, review by Mary Voelz Chandler, color photo, January 25, 2003 • “Grooving to the Oldies--Fascinating shows feature riffs on the golden age of modernism,” Westword, review by Michael Paglia, January 30, 2003 • “DEVORAH SPERBER, Post-Digital: 800 Lbs. of Pixels,” The New York Times, review by Ken Johnson, March 23, 2001 |
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| http://www.devorahsperber.com http://www.artepublico.puertorico.pr |
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